Brodska O. INTERNAL MONOLOGUE AS A NARRATIVE MANNER OF A. SCHNITZLER’S NOVELLA “LIEUTENANT GUSTL”
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Gabidullina A., Stetsiura M. FIGURES OF CONTRAST AS A MEANS OF THE IRONIC CHARACTERIZATION OF THE CHARACTERS IN I. ILF AND E. PETROV’S NOVELS “THE TWELVE CHAIRS” AND “THE GOLDEN CALF”
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Danylenko L. MEMORY CANNOT DIE: UNDERSTANDING OF CRIMINAL PSYCHIATRY IN THE USSR IN S. PROTSIUK’S NOVEL «THE GRASS CANNOT DIE»
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Durkalevych V. SELF-REFERENCE DISCOURSE IN ANDRZEJ CHCIUK’S RECOLLECTIVE DILOGY «ATLANTIS» AND «LUNAR LAND»
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Kovalets L. FOLLOWING THE FOOTSTEPS OF «THE WHITE LADY»: ONE PAGE OF YEVHENIA YAROSHYNS'KA'S ACTIVITY AS A TRANSLATOR AND HER CONTEXT
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Kononchuk O. THE ARTISTIC WORD AND THE “LANGUAGE ISSUE” BASED ON THE M. A. JAMALZADEH WRITINGS
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Kornilova K. INTERTEXTUAL FEATURES IN THE NOVEL BY V. LYS “SYLVESTER’S ISLAND”
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Kravchenko Y. THE CONCEPTUAL METAPHOR OF PLAY IN P. HANDKE’S SHORT NOVEL «THE GOALIE'S ANXIETY AT THE PENALTY KICK»
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Lipnytska I. DEVELOPMENT OF THE NATIONAL ART OF WORD IN IVAN BAGRYANY’S PUBLICISTIC WORKS
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Namestiuk S., Tychinina A., Vilchanska Yu. THE TRANSITIVITY AS A GENROLOGICAL FACTOR OF INTERTEXTUALITY
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Nikiforova V. CONCEPTION OF FREEDOM IN ANCIENT WORLD
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Orlov О. THE IMAGE OF THE SCIENTIST IN THE WORKS OF V. KOROLENKO
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Pavlenko O. YU. LISNYAK’S CODE OF ETHICS FOR LITERARY TRANSLATION
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Poltoratska A. HUMANS AND ANIMALS IN BERNARD WERBER’S NOVEL «TOMORROW THE CATS» (DEMAIN LES CHATS)
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Ryzhenko K. CONSTRUCTING OF THE AUTHOR'S IMAGE IN THE DIARY OF PANTELEIMON KULISH
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Salamatina A. IMAGERY MEANS OF SUBJECTIVE PERSONALITY ASSESSMENT BASED ON THE EXAMPLE OF THE GERMAN CLASSICS
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Shmorlivska L. STYLE SYNCRETISM OF THE BEGINNING OF THE XX CENTURY: THE NOVEL “I HAVEN’T SEEN FLOWERS” BY DENYS LUKIYANOVYCH
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Yakovenko I. WOMEN’S VOICES OF PROTEST: SONIA SANCHEZ AND NIKKI GIOVANNI’S POETRY
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Bereza L., Tkachenko L. COMPLETENESS OF ACTION IN THE RUSSIAN AND GERMAN LANGUAGES: COMPARATIVE ANALYSIS
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Voloshchuk I., Derkach A. CONCEPTUALIZATION OF KNOWLEDGE IN AEROSPACE INDUSTRY IN THE MODE «IMAGE-SENSE» ON THE BASIS OF FILM SCRIPTS
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Honcharenko A. LANGUAGE EXPRESSIVE MEANS OF MORAL AND ETHICAL PORTRAIT OF A MONK IN THE KYIV-PECHERSK PATERICON TEXT
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Daskaliuk O. CONTEXTUAL ANALYSIS OF COMMUNICATIVE SITUATIONS OF WILL EXPRESSION (BASED ON THE NOVEL “A MONOLOGUE IN MY SON’S FACE” WRITTEN BY MYKHAYLO IVASYUK)
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Ilienko O., Shumeiko L. CHARACTERISTICS OF LANGUAGE PERSONALITY OF THE US PRESIDENT DONALD TRUMP
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Kononchuk T. FEATURES OF SYNTAX IN THE NOVEL “WAS I NOT A VIBURNUM IN THE MEADOW” BY V. SHKURUPY
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Pokrovska I., Spotar-Ayar G. FUNCTIONAL SEMANTIC FIELD OF AIM IN GAGAVUZ LANGUAGE
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Prokopovych L. ASSOCIATIVE-SHAPED CONCEPT OF THE WORLD IN ARTISTIC DISCOURSE OF MYROSLAV DOCHYNETS
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Romanova N. LEXICAL MEANS OF REALIZATION OF EMOTIONS OF MEDIAL MAN (CASE STUDY OF THE EPIC POEM «KUDRUN»)
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Ruskulis L., Rodionova I., Maiboroda R. THE SYMBOL OF «HEART» IN THE LINGUOPHILOSOPHICAL CONCEPT OF H. SKOVORODA
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Taukchi O. ON TEMPORAL AND SPATIALCONCEPTUALIZATION IN TYPOLOGICALLY DISTANT LANGUAGES
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Tsupikova О. PECULIARITIES OF MEDICAL ADVERTISING DISCOURSE
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Sharapova M., Shumenko O. CULTURAL REALIAS IN ENGLISH LANGUAGE ARTISTIC DISCOURSE AND PECULIARITIES OF THEIR TRANSLATION
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